It's all about the STORY!

Archive for the ‘About Writing’ Category

Do you want to travel for free (or at least really cheap)?

I think humans are in deep need of three things. These things are dangerously rare as we concentrate evermore on the everydayness of hectic lives and responsibilities–chaos, confusion and emergencies–chores, deadlines and all sorts of gadgets and media that serve as distractions from feeding our minds, bodies and spirits with all that keeps us craving more and more of the greatness around us and in us.

 

What are the three endangered things?

  1. Adventure
  2. Imagination
  3. Creating

I challenge you to find one thing a week–or even per month–for you to do alone or with a friend or with your family that offers you a sense of adventure or sparks your imagination or allows you to create something–anything.

This could be as simple as reading a book, visiting a museum, volunteering in an organization, planting a garden or taking an art class. You could travel locally to a neighboring community and be a tourist for a day. Try hiking or yoga or just daydreaming on the beach–maybe a late-night stroll. Skip the high-priced family reunion across the country this year, and instead book a room in a beachside Florida motel and reunite with your own family 1 on 1 (and you get to run home for that camera you forgot to pack).

Go out and explore your own back yard! Follow your cat around the neighborhood, if you can keep up. Invite your friends over for a seasonal fruit and veggie tasting party. Create a comic book using stick figues and a pencil or finger paints. Buy a hammock and daydream or write a short story. There’s so much to see right in front of you, you can be an adventurer for the cost of the mere courage it takes to dare see the world through a fresh set of eyes! You can be an artist with just the thoughts in your head and the skills of a 5-year-old.

Go do something right here. Right now. I dare you.

Melancholy in less than 500 words

(Photo credit: http://anxious-creative.blogspot.com/)

As a writer, I am concerned about words. They mean something to me. Also, I am concerned about stories. They mean something to me, too. 

I am concerned that contemporary culture may lack a love for words and written stories–that it is a love affair that is becoming more rare. Sometimes things that are rare are special, but in this case, I find it melancholy.

I am concerned that our culture is too distracted to have a love affair with words and stories any longer. They want one night stands and speed dating versus the relationship filled with deep attraction, love notes, commitment, harsh words, broken hearts and promises, redemption and the bliss of kindness, thoughtfulness and quirks that make these love affairs beautiful and worth living for.

More and more, 500 words or less is the formula for success in modern media, and I have no choice but to succumb to stay relevant. So, I promise to rise to the occasion and challenge myself to engage you in a deep love affair confined to brevity–to sweep you off your feet and enchant you into a friendship or more that hopefully will fill you until the next story, the next encounter, the next night in our favorite hotel above the busy street where words will take you onward to the next chapter in our relationship.

Maybe then you will be willing to take on more than 500 words. Maybe then you’ll long for the whole story not just the soundbite. If so, imagine this story (link below), of this life slashed into 500 words? What a tragedy that would be, indeed!

[Total: 270 words]

Not authored by me, though I wish it were: Shelagh Was Here: an ordinary magical life 

Daphne’s List of 7: Telling your company’s story

I have just spent hours researching the history of several Bay area nonprofits–learning about their stories. Specifically, their history.

Here are 7 tips on storytelling that would be helpful for all businesses, particularly nonprofits. These are 7 important points, what I have learned along the way as a professional writer for nonprofits and as a member of the media as I am currently…

  1. Make your audience “feel” your story. DO NOT give us facts and figures. We truly don’t care–we glaze over them, mostly. Tell us about the tears. Tell us about the victories. Tell us about the struggle. Tell us how your organization CHANGED things. Give me something to feel, to care about, to go out and tell my friends and family about. Here in Pinellas County PARC does a GREAT job of telling their story HERE.
  2. Get your FACTS straight and make sure your information is up-to-date. I will not mention the site, but it is one I know all too well–they have the date the company was founded, which is good, but then they also include how long the company has been operating. Not only is this information redundant, but the number of year operating is an evolving number that needs to be changed each year. If you insist on including it, you’d better be committed to updating it every single year. As it stands, you’ve been dormant for about 5 years. Okay, that’s just an example, but in a historical statement, STAY AWAY from figures that change. Also, if you include a blurb about where you are today, which is good–update that at least annually. Do it the same time you do your annual report–that’s a good reminder that all your company’s content should be reviewed, including your website
  3. Make sure your website looks good. Honestly, this is not an expensive or difficult thing to do. If you have a website, and you certainly should, make sure it’s attractive. Certainly, if it’s easy to navigate, lots of content, etc.–even better. But, first, make it visually pleasing. If your web page is hard to look at, no one will want to bother, and it reflects poorly on your company’s image.
  4. Less is more when it comes to text. WOW! So much verbose copy, laden with industry jargon–I’ve been working in the helping fields for over 20 friggin years, and if I wonder what you mean by what you’re trying to say, and I’m getting tired of reading wordy copy, I can’t begin to imagine what the public at large thinks when they see it. Tighten it up, and keep it simple. If that’s too hard for you pros in the field to do, get some clients and community members together to focus group your marketing copy for you. If you don’t believe me, listen to what they have to say…
  5. Include a link for media on your website. Please, think of us and throw us a little bone. Include your press releases there as a link. Include contact info. and brief bios of subject experts that we can contact for quotes and insight into issues–we are always looking for expert opinions. Make it easy for us to find. Give us your logo and other graphics that we have total permission to use as stock art for articles. And, tell us who your media contact is so that we can contact them directly. When a story is breaking, and we want to use your organization as an expert, we don’t have time to wait around or hunt to find “maybe” the right person. Get us linked to them straight away, and we’ll get you into print faster and more often as the experts in the field that you are.
  6. Be responsive to media. We matter. In a time when funding is tighter than ever, getting and keeping your company’s name in the community dialogue is critical when you are cultivating donors. If a development director has to spend too much time explaining to a potential donor what the organization is and why they care about it, it’s probably already too late to bother. Keeping your name in the media as noted experts in what you do is key to raising the value of your organization in the mind of your public. There’s no short cut. There are many creative ways to do this, and traditional media isn’t the only one… but it’s important to do in some fashion.
  7. Reach out to media. Don’t just send us a press release. Trust me, we often don’t “get” why your story is important. Talk to us. Get to know us. Take us to lunch (we really like that!). But, develop a relationship with us. And this is critical–don’t bother telling us why your story is important to you. Tell me why I, the media professional cares, and why it’s cool, interesting or important to the public. THAT’s the story. Don’t count on the fact that the media professional will be able to see why your story matters. Spoon feed THAT to them, because why your story matters IS the story.

Quick Note on Blogging: Thank you to my editors–YOU!

ImageIn the age of instant news, bloggeres tend to have an advantage on breaking what’s going on in the world. Editors don’t have to pour over grammar and punctuation, the fact-checking team is permanently out-to-lunch, and usually there’s just a sole blogger out there trying to get the story written down and posted rapidly to keep you, the reader, up to speed.

Oh, yes. There is a bit of danger inherent in this craft - missing a second pair of eyes editing and fact-checking means that errors, sometimes embarrassing errors, can get published. Can and do.

And I say – that’s okay. We admit guilt. Apologize. Make needed revisions and/or explanations and retractions if it was really aweful… Our editors? Well, most often, they are you!

This is great! Why? For many reasons–it provides that great dialogue, the reader/participant experience that is so awesome about blogging. You, the readers, the audience that we bleed our words out for, you are a part of our stories. We actively listen to you, learn from you and communicate with you. And I thank you and offer my sincere gratitude for all of your feedback and comments on every story. You make us better in every way.

Ethel the aardvark goes quantity surveying

This post is all about titles–so, it will be a brief post. Another list of 7:

Ethel the aardvark

  1. What’s in a name? Everything! It’s your first hook to your audience and potential audience. Get their attention! It also is a hyper-brief summary, description and perhaps a foreshadow of what’s to be found in the content.
  2. Creativity is good in a title, but what’s more important is its impact and accuracy. Sometimes getting too creative can destroy the objective–confusing people hardly ever makes a good title (there are very, very, very rare exceptions–like the title of this post… Ha!).
  3. Brevity: one word, two, three, four, five–powerful titles. Beyond that, you’re writing a tag-line or something else.
  4. Title as starting point: It’s okay to start your [article, story, novel, play, etc.] with a title and work from there. However, once the full work is created, and the full spirit of it is surging through every cell of your body, go back and examine your title again. Strengthen it, change it, tighten it… make it a necessary part of the whole.
  5. Examine other titles of things–all kinds of things: books, essays, headlines, short stories, movies–what made certain titles stronger than others? What did you like better about one over another? What can you learn and what knowledge can you apply from examining other titles?
  6. It’s a boy!!! Remember–you truly are giving your work its first name, similar to naming a child. Make sure you love it–that it means something to you for you to say it, repeat it, call it and scold it.
  7. “Ethel the aardvark goes quantity surveying” is a fictional title made up by the geniuses of Monty Python’s Flying Circus.

Daphne’s List of 7 – Tips for starting freelance writing

I’ve received a lot of requests lately–people wanting me to give them leads to start freelance writing. Truthfully, there are some really credible books out there on the subject, some even targeted towards the niche of writing you would like to do: Amazon.com (or just do an Amazon.com book search on “freelance writing, and take note of the various dropdown options for a more specialized search).

Here are some tips that might help you should you decide to begin freelance writing:

  1. Electronic versions of writing samples–develop a blog. WordPress and Typepad are two platforms that I’d recommend highly. Be certain to use categories so that people can easily find various subjects that you may have experience with (e.g. movie critiques, food, travel, politics, economics, celebrities, community profiles, local issues, etc.). If you do other types of freelance writing, have those categories listed with samples also, such as copywriting, press releases, business plans, reports, analytics, etc. If they have been published elsewhere (big bonus), be sure to cite that and include the link or details of the publication. Also, be certain to have both MS Word and PDF versions of your sample copies available to send as attachments in emails and to print to have in a hardcopy portfolio.
  2. Keep writing–even if you don’t have someone else to publish your stuff yet, write and post it on your own blog. Develop and cover stories, craft articles, conduct interviews, delve into citizen journalism. Be certain to always cover unique and compelling angles to stories. If you’re freelance writing for other types of media such as brochures, press releases and business plans, do the same thing. Keep writing, and keep putting yourself out there.
  3. Get published–this is the only way to truly build your credibility. What being published says is that someone else thought enough about your work to spread it around under their name. Often times it even means that they thought enough of your work to pay you for the opportunity to spread it around under their name. Even if it’s just a blog or community newspaper that won’t pay you for your work, it’s a start. You get a byline. Patch.com and Thoughtcatalogue.com are two such places you might try, depending on your subject matter. Again, if you’re doing more business-oriented writing, then vs. getting published, get clients. Volunteer to do work for free for nonprofits you like. Get noticed, network and begin building a reputation if you don’t already have one.
  4. Get work–query article ideas to publishers that cover topics that align with your niche. Send a link of sample writing to blogs and such that you read regularly, and ask if they would be interested in a freelance article from you. Scan through Craigslist and similar sites that post jobs and gigs for writers–you’ll find a lot of garbage, but there’s quite a bit of legit stuff there, too. Similar for business writing freelancing. Put yourself out there, and hunt for opportunities. Oh, and network. Talk to people–real, live people. Tell them about you and what you do and what you want (a very quick elevator pitch). Be friendly and generous, and you find others will be friendly and generous in return.
  5. Build credibility and branding–be the go-to person not only for your clients and potential clients but also for others in your field. Blog not only what you write but also about your writing and the business of it all. Develop a following and a network of colleagues. Pitch joint projects to share specialties and resources. Give freely of ideas and innovations–you might think you’re going to give too much–do give too much. You will cash in on the bigger picture, being the source of all of those great ideas and innovations. Your reputation as the go-to person will grow, and you will be noted as an “expert” in your field.
  6. Be in demand–once you’ve been published for a steady amount of time, you will begin demanding increased pay for your work, provided you’re actually worth it. So do always keep working to improve your craft, and listen carefully to constructive criticism and feedback. You may not always like or agree with it, but it’s invaluable stuff. Always ask for it. You might learn something that will supercharge your work and take it to big places. Also, read. Read everything, and study how the big players do your job. Once your demand builds, and so too will your  pay, be very delicate when you have to shed your lower paying gigs to have room to take on higher paying ones. Remember the hands that helped you to grow. No one likes an ingrate, and it can bite you hard later on. Offer to continue giving them some articles once in a while for good measure. Keep doors open and relationships positive. Mend those that have been damaged as possible as much as possible. This too will influence your reputation and build your overall demand.
  7. Stay hungry–keeping your operation lean and mean no matter how much or how little cash comes in the door, it will serve you well to avoid getting jaded. Not about the subject-matter and not about the business. Continue to crave, be imaginative and stay curious–stay hungry. This way, there is little chance you will soon become irrelevant.

I’ve spent 11 years writing in the nonprofit and for profit business environment, and I am a communications junkie. I had a mentor throughout much of this time who helped me develop a reputation within certain circles in the community that have greatly helped my success in freelancing. Not only those individuals, but knowing how to network and build and sustain those relationships have proved to be a critical tool. Therefore, I had an advantage when I made the leap from full-time employee to full-time freelancer–an advantage not many others have.

I also was not hesitant to take on a small overnight job that allowed me time to write on shift to help with cashflow during slow times and also to build a little savings to get me through future slow times. And, there will be slow times. I also have to take balance very seriously–balancing time for play, sleep, wellness, deadlines, self-promotion and hunting for the next big opportunity.

Freelance writing for a living isn’t for everyone–it’s a full-time job x 2. Possibly more when you first get started, just like any small business entrepreneur. You are an army of one, so must make time for all of the needs of the one, or you will burn out and ultimately fail in some definition of that word. And, still, that’s okay. Failure is the greatest teacher if you allow her to be. So, if you bite it on a deadline or two, or you bomb a story or things just don’t work out–it’s okay. Do an autopsy of the situation–find out what went wrong, then, learn from it.

You’ll get better… and that’s success.

Lessons from a freelancer–balance & support

What have I learned so far as a fulltime freelancer? Balance is everything. Balancing time, projects, priorities, personal and professional life, etc. In the end, balance has been the lesson, and I’m getting better at it.

It’s easy to spend your waking hours on business development strategies, branding, pitching for projects, networking–oh and then actually doing the projects. And, in the very beginning, I think you almost have to do this. Afterall, it’s survival here–you have to get work in the door and work lined up and people wanting to work with you to keep paying your bills and to feel safe in knowing that you can keep paying your bills. But, once that’s achieved, you need to know when to tap the breaks a bit and slow down to a comfortable cruise versus the high-speed chase.

You also need to balance time networking, marketing, pitching and branding with “doing” the work and knowing how much work you can take on, what resource you have if you end up with more on your plate than you can handle.

On the one hand, it’s my job to drum up business and keep getting projects in the door. Afterall, I’m a freelancer, so without new projects, I’m without cashflow. On the other hand, I am an army of one, so making sure I balance out projects and deadlines is critical while I’m always keeping an eye out for new ones. <–This all may seem obvious, but there’s a point here…

In an age where more and more freelancers and entrepreneurs are budding up, a real skill, once you’re certain you have something valuable to offer and others know it too, is planning for success. Many more businesses fail because success came, and they weren’t prepared for it, than people might think. It’s not always that the clients don’t come and the contracts fall through, etc. Often times it’s overcommitment leading to missed deadlines, broken promises and failed deliverables that shuts down an operation.

I’ve not fallen victim to either fate, yet, and I remain cautious, making sure to say “no” and to make certain that I never have more than three projects on my plate at once and no more than three more in the pipeline to maintain a successful balance. And that’s just my personal guideline–I know myself. Others may be able to handle more or less, but it’s important to know what that number is, or risk biting it and facing failure.

Also, as I mentioned earlier, keep other resources on hand–other freelancers or partners outside of you that you can send projects to or work with in case you need the extra set of hands, eyes and brains. Not only do you need to have backup plans for when your deadlines become too much, but also it’s important to plan for being human–illnesses, personal and family crises, etc. Develop a professional support system/back-up plan for emergencies.

Truthfully, though I try to plan and maintain a healthy network of colleagues for mutual support, I still make mistakes, and not everything runs as smoothly as I like, and outcomes aren’t always the slam-dunk I  anticipated. Mostly, though, I’m finding increased success in this crazy freelancing journey–for me and my clients. And that’s awesome. Here’s to progress!

You cannot succeed if you don’t take a risk,

and without failure, you’re not likely to learn much or get any better.

Paul Wilson–internet radio guest on Rhino on Air’s “Write At Five”

Hear local advertising mogul Paul Wilson of WILSONMedia as Paul talks about the creative process and the business of communications along with his Memorial Day benefit concert with his brothers. Paul joined us live at the Rhino on Air studios for our radio show “Write At Five” where we interview local (and sometimes national) guests for a weekly radio show all about writing. Listen in here: PODCAST http://rhinoonair.com/?p=1920

Paul Wilson, president WILSONMedia

St. Petersburg, Florida–City government sets goals, but actions will speak louder than words

This is my first publication in my new affiliation with SaintPetersBlog: a well-respected political blog in St. Petersburg, Florida. This first post is my introduction to the local political sphere. A getting-to-know-you type post, making use of my small introductions to a few local politicos such as the Mayor of St. Petersburg, Bill Foster; St. Petersburg Police Chief Harmon and a couple of City Council representatives. I also have had significant professional relationships over the years through my workings in the nonprofit sector with other branches of the city government. These relationships I continue to value and hope to continue to foster as mutually beneficial ones through my ongoing work communicating on locla politics.

Anyway, I’ve said all of this to introduce you to my very first political blog post. I have had the privilege of speaking with some of our city’s leadership, of whom I genuinely respect. I do not always agree with them. I may sometimes wish things were different and that they would have dealt with issues differently, but I believe, truly believe that these individuals do bring a level of integrity and accountability to their local community that does demonstrate strength in leadership to our city. And I am grateful for their contributions. What this also means is that I expect much from them. As I expect much from this city of my birth. And I will work with the community to voice our appreciation and concerns in concert and will hold these leaders accountable. For more than praise, high expectations are the greatest compliment, and criticism is critical to this end. Therefore, as I introduce this article to you, the people… the locals, the tourist and those considering to be locals or tourists, I urge you to communicate your thoughts with me. Together we can help these leaders in strengthening our community and increase transparency and accountability.

Here is the link to the post where I list the St. Petersburg City Council’s goals for the year and provide a little insight as to what some of these goals entail through the eyes of our local leadership: http://saintpetersblog.com/2012/01/st-pete-city-council-sets-goals-for-upcoming-year-but-actions-will-speak-louder-than-words/

St. Petersburg City Council met yesterday, January 12, which marked the first City Council meeting of District 1 elected Councilman Charlie Gerdes. I had the opportunity to speak with Councilman Gerdes that evening during the Mayor’s Night Outevent, hosted in the Councilman’s district at the J.W. Cate Center.

Gerdes expressed that he was genuinely optimistic despite many challenges ahead for the city. In addition to the City Council meeting held that morning, Council Members participated in a goal-setting session later in the day where several initiatives were put to the forefront of concerns that the Council intends to address in the year.

These goals include: 1) public safety; 2) job creation and economic development; 3) codes enforcement, emphasizing neighborhood association support; 4) the new Pier and St. Petersburg waterfront district; and 5) homeless initiatives.

. . .

Some ideas and plans are on the table to address some of the goals determined by City Council, but funding some of the ideas still needs to be secured along with consensus and implementation to see them come to fruition. Action always speaks louder than words, and St. Petersburg needs to see much more action to believe the many good words.

My Psychedelic Cat (Short Story)

My Psychedelic Cat, Part 1
(A Short Story)

As soon as he heard the clinking of ice cubes in the near empty highball glass behind him, Eliot’s head pulsed in time with the percussion to an explosive clash, flinging his hand above his head to catch the diamond cuff-linked wrist of the menacing middle-aged noise-maker who winced in pain when Eliot’s claw clasped unforgivingly, cutting off his circulation. The highball glass fell to the overly-polished teak wood floor, sending shards of glass in a kaleidoscopic display underfoot of too many gleaming and sparkling dark shoes. And all the senseless and grating chatter was silenced by the first crack of the glass and replaced by the frantic pace of the hired help in the background ushering in the clean-up crew. The host, too dizzy from a high gin buzz to react, and the hostess too numbed from Xanax to bother lifting her head off of the red velvet arm of the sofa. It was late. But not late enough for parties such as these to end. Just late enough for all of the degradation of the wealthy to show through their pasty masks, and the banal plainness of their true characters to step forth and begin their first authentic introductions past midnight, or later.

Eliot decided to leave, and he made his way through the obstacles of countless uptight mannequins robed in formal wear and through the double stained glass panel doors, the size and weight of tall forest trees, swinging on easy hinges. His lungs inhaled an herbal infused smoky frigid winter breath, and his sense-recognition kicked into overdrive. He pivoted left, swayed his head in snake-like elegance and emerged as an apparition to the boys, appearing at once through the smoke-filled valet caboose. Without a word, he pulled up a stool to take his turn at the bong pass. Not that a bong was necessary what with the intoxicating fog of a half-hour’s worth of exhales and the smoke billowing from the lips of about a half dozen young men. But the ritual is part of the experience, bestowing a deeper meaning than even the high, representing times past and innocent suns dancing in clear skies and upon summer-tanned lakeside thighs. As he clutched the hand-blown glass bong of pale blue adorned with pillows of white, and his inhale stretched his lungs to full capacity, holding for an exact count of thirty, then exhaling effortlessly with a gaped jaw, he closed his eyes waiting patiently for the next round. He stuffs two 100-dollar bills into the basket in the center of the table—his philanthropic gesture for the boys’ kind hospitality. He could afford to be generous. He owed this and a hell of a lot more back to the world for all it has given to him. The bong came back around, and he gasped for the smoke as a guppy lay flopping on a dock longing to breathe. Again. Now, a count of forty followed by the slow-streaming unwanted exhale. He nods his head at the boys, reflecting glassy eyes in unison.

He removes his own keys from the valet board, and begins strutting ever so slowly towards his car, distracted by a set of enlarging headlights and the small green reflection on cat’s eyes just up ahead. Disturbed by the inevitable end that is sure to manifest within seconds and feeling the full extent of his powerlessness of this soon-to-be lost life, he begins walking towards the upcoming scene of a very sad occasion. And screeeetch! Shreeeek! It’s done. Old Sammy the beloved tabby is no more. Eliot decides not to progress any further and instead hides in the shadow of a large tree examining the goings on as a few unexpected tears well up and drip down his cheeks, which he wipes swiftly away. From the driver’s side of a silver BMW unfolds a youngish and very tall gangly man in an awkwardly-fitted and obviously rented tuxedo. His shoulder-length dark hair is a bit stringy, hanging around his angular face. He stands staring at the squashed mess that once was a cat and scratches at his patchy beard, which is too short to be intentional. He turns back, folding himself again inside of the car, turning the wheel, bouncing up over the curb and onto the circular garden surrounding an ornate limestone fountain, glowing in soft a light that lies just before the front lawn of the estate. He parks there, under another large tree, then makes his way with freakishly long strides carried by stork-like legs with a black leather guitar case swung onto his back.

Eliot is intrigued, and decides to leave the poor cat. After all, he’s dead now. Nothing can be done to reverse this misfortune, and he did live a long, luxurious life, even by a cat’s standards. He winks and says a silent, Goodbye Old Sammy, my friend, to the loving cat that always greeted him fondly upon every visit to the estate. Perhaps the only authentically friendly face you’d ever find around these parts. Oh, he’ll be missed. He’ll be missed dearly. Eliot turns and follows back to the party, after the stranger with the guitar.

The stranger enters through those remarkable stained glass doors and makes a bee-line for the intoxicated host, Eliot’s father, who seems to come alive at the gleaming aura beaming from the stranger’s smile. He shakes his had vigorously and leads him to the parlor, and as they make way through the guests, Eliot’s dad actually looked excited, gathering the crowed to follow after them, saying, “This is Badou, Tallon Badou! He’s from South Africa—the Ivory Coast! Come, and hear this. You won’t believe your ears!” Even Eliot’s mother arose from her Xanax-induced coma, rising off the edge of the velvet sofa to revel in her husband’s delight and proclamations.

And so Badou began to play his guitar and sing and tell stories of decadence, obscene excess, war and injustice, greed and depravity—things hey could all relate to in myriad ways. And then he sang of skinny dipping in lakes on the moon and sniffing on stardust, licking the spicy trails of comets and taking trips through wormholes to new universes where gleeful aliens danced in bright waves of light.

As Badou played, the crowd packed into the parlor, and not one soul was outside of that room. Shoulder to shoulder they swayed and tapped their pointy toes, hummed and fixed their eyes upon the performer. And swirling colors of spectrum light incantations playfully petted the heads of each spectator, beckoning them ever farther, deeper into the magic of the bizarre world that was unfolding before them.

And they all danced and laughed and dreamed. And the walls transformed to puffy clouds that transported them above the Earth. They laughed and twirled and the music turned into something no longer audible—it manifested into being, you could feel it. Like the fabric of crisp linen bed sheets, you could feel the sound and be shrouded in it and play with it like warm ocean waves splashing against your skin, and you could dive into it, like a pool of colorful plastic child’s balls. And they did all of that. And Eliot watched. And they all glowed warm auras of moonlight. And Badou played his music.

And Eliot wondered when the last time was that any of them had dreamed—really dreamed of things never before imagined. If they dared, they might find themselves far less dull, he thought. Far less dead inside than he knew them to be. Maybe even alive.

And as enchanted things are, they go. So this was no different. Badou’s music came to a close. The cloud descended, the music ended, and the afterglow on all the faces of all the men and women dripped from their chins and arms and fingertips, like a haunted ectoplasm of pale pink happiness, it melted off of them, and their weary frowns returned to their rightful places. And things were once gain exactly as they were to be, as they always were unfortunately. The crowd applauded with exuberance and their plastic smiles shifted beneath their steady noses violating the statuesque botoxed cheeks that hate to be bothered with damn smiles.

Eliot feels a stirring in the pit of his stomach. It has quickly augmented to a deep burning. Hs nerves were unsettled at first and now it’s as if the rage of a thousand abused and banished souls have taken refuge in the pit of his gut. He feels something snap, literally snap, like a green twig in his brain, and his eyes blaze fire. He blinks and finds the calm needed o breathe again. And a cool, mad creature has become him.

Eliot sees Badou walk carefully through a crowd of praise and adoration with his guitar slung onto his back once more. Badou thanks his host who slides a wad of big bills into his palm and continues his slow journey out the door. But something makes him pause once more. A deep pain radiates from his side and down his leg—too sharp and agonizing to even make a sound, he falls to his other side, instinctively try to escape from the vicinity of the trauma. It’s still there. Wet, hot to touch and gut-wrenching. He can’t breath. He lifts his had to grab at his throat to find it covered, dripping in blood. Eliot sees blood pouring out of Badou’s side, and he looks down to view a sterling silver dinner knife, with deep red blood souring its tip clenched in his hand. Eliot drops the knife to the floor. He shuts his eyes again only opening them when he feels a warm, strong hand soothingly gripped around his shoulder. He opens his eyes.

Badou is standing in front of him, as healthy as the day he was born, holding Eliot’s shoulder. “Hey man,” says Badou. “You look like you just saw a ghost, huh? You okay?” Eliot nods. Badou gives him a friendly pat and smiles a gleaming happy grin, a great dichotomy it seemed in this place of misery. Eliot succumbed to the contagion and smiled back.

Badou finally made his way out the door and towards his car, silently noticing Eliot following close behind. This time Eliot truly was wielding a knife, and Badou could he soft sobs whimpering from him. Badou continued to his car. Suddenly, Eliot lunged at him with the dull blade, and Badou caught his arm, struggling with him to the ground, near where Eliot saw Old Sammy lose his life. But Old Sammy wasn’t there. Instead, a crushed Heineken bottle rested before his raging eyes when Old Sammy himself, came up rubbing against the wrestling men, butting them hard with his loving head and shaking their bodies with his loud purr. Eliot immediately rolled off of Badou and onto the grass. Old Sammy was now between the two men, cleaning hi face. Smiling. Badou hopped up onto the hood of his car looking down at Eliot, “Friend, what the hell is your problem?”

Eliot began to sob, “I thought you killed my cat.”

“That cat?” Badou pointed to Old Sammy.

“Ye-es,” Eliot screeched out through his tears.

“Why would I kill that beautiful creature? Why, friend, would you think I killed your cat.”

“I thought you hi- hit him with you ca- car.”

Badou sensing the danger was gone, hopped off of his car next to Old Sammy, scratching him gently behind the ears, “No, friend. A beer bottle. And it retaliated. I could use some help changing my tire if you think you’re up to it.”

And Old Sammy watched then wandered off. Eliot and Badou took a look at him as he sauntered back into the garden, and his tabby fur began to lighten to a strange translucence, then took on an electric glow of pastel lighted colors as a fiber-optic fantasy in psychedelic patterns. “Did you see that?” Eliot asked Badou.

“I’ve seen that and a whole lot more, friend. What matters is that he’s let you see that now. And now, you have to decipher the meaning.”

“The meaning of what?”

“Exactly.”

//

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